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At the 51st International Art Exhibition of the 2005 Venice
Biennale, the Dutch Pavilion will showcase the major new 16 mm film installation
Mandarin Ducks by the artist duo Jeroen de Rijke and Willem de Rooij.
De Rijke and
De Rooij were invited to represent the Netherlands by Martijn van Nieuwenhuyzen,
Director of Stedelijk Museum Bureau Amsterdam, who is the curator of the
Dutch contribution on behalf of the Mondriaan Foundation.
Since they started
to collaborate in 1994, Jeroen de Rijke (b. 1970) and Willem de Rooij
(b. 1969) have created a select corpus of 16 and 35 mm films as well as
slide- and photoworks, objects and printed matter. Their artistic programme
entails a detached and critical investigation of the context, rules and
conventions governing the presentation and interpretation of images.
For their presentation
in the Dutch Pavilion at the 51st Venice Biennale the artists have created
the new filmwork Mandarin Ducks, in which they elaborate on aspects from
their early artistic practice, such as a somewhat distorted use of narrative,
combining these with approaches from their more recent works in which
a single, steady shot is presented as a tableau containing a wealth of
visual information that is gradually revealed to the viewer.
In the new film the tableau becomes a theatrical backdrop for a narrative
with a highly stylized character. Through a set of characters the artists
explore the tensions between people, in particular those areas where the
personal mirrors social and political conflicts.
Mandarin Ducks has
a duration of 36 minutes and will be shown at regular intervals in the
Dutch Pavilion.
The exhibition is
accompanied by a catalogue containing a visual contribution by the artists,
an introduction by Martijn van Nieuwenhuyzen and essays by Dario Gamboni
and Tom Holert. |